The Lottery in Babylon
Jorge Luis Borges
Like all men of Babylon, I have been proconsul; like them all, a slave; I have also known omnipotence, opprobrium, incarceration. Look: on my right hand is missing my index finger. Look: through this rent cape can be seen on my stomach a ruddy tattoo — it is the second symbol, Beth. On nights when the moon is full, this symbol confers unto me power over the men whose mark is Ghimel while rendering me subject to the men of Aleph, who on moonless nights must obey the men of Ghimel. In a cellar in the half-light of dawn, I have slit before a black altar the throats of sacred bulls. For an entire lunar year, I have been declared invisible: I would cry out and no one would respond, I would steal bread and I was not beheaded. I have known what the Greeks knew not: uncertainty. In a brass chamber, before the strangler’s silencing scarf, hope has remained faithful; in the river of delights, panic stood steadfast. Heraclides Ponticus relates with admiration that Pythagoras recalled having been Pyrrhus, before him Euphorbus, and before him some other mortal; to recall analogous vicissitudes I need not find recourse in death, nor even imposture.
I owe this almost monstrous variety to an institution that other republics do not know, or which works imperfectly or secretly in them: the lottery. Into its history I have not delved; I know that the sages cannot manage to agree; I know of its powerful aims what a man not versed in astrology can know of the moon. I am of a vertiginous country where the lottery is a principal part of reality: until this very day, I have thought as little of it as I have the conduct of the inscrutable gods or of my own heart. Now, far from Babylon and its beloved customs, I think with some bewilderment of the lottery and of the blasphemous conjectures that the shrouded men murmur at twilight.
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